Sunday, 2 May 2010
BSSC 2010
It seems like only yeaterday the last one closed! I've got to the semi finals 3 times out of the last 4 years, so time for one more push!
Anyone else entering this year?
www.kaosfilms.co.uk/bssc/rules
Sunday, 25 April 2010
Thursday, 17 December 2009
Opportunities
Euroscript Screen Story Competition 2010
Deadline: midnight 31st March 2010
Now in its 16th year, the Euroscript Screen Story Competition 2010 is an opportunity for screenwriters to develop their scripts to a high, marketable standard through an intensive, creative and focused script development programme.
1st PrizeThe winning writer will receive one-on-one professional guidance to develop his/her screen story from treatment or first draft.
DEADLINE: 31st March 2010
FEE TO ENTER: £35 per treatment.
http://www.euroscript.co.uk/about_competition.html
Submissions for next year's Digital Shorts now open!
Digital Shorts is the South West region’s key development and production initiative for new and emerging filmmakers.This year, we’re looking to commission 4 films, with running times of no more than 10 minutes, at budgets of between £10,000 - £15,000. All themes, styles and subjects will be considered including animation and documentary.
The commissioned films will be drawn from a ‘development pool’ of 8 projects/ filmmaking teams who’ll be supported through an intense 8-week development phase. Working with a professional development executive, producers and other collaborators, you’ll advance your chosen project to the point at which it can be ‘greenlit’ into production through the programme.The 4 greenlit films will go into production over Summer 2010, for delivery in August 2010.
http://www.swscreen.co.uk/how-we-can-help/digital-shorts.html
Saturday, 3 October 2009
SWF 09 - Techrec
IT**was a problem last time, but the college has its own state of the art IT (and isn’t located near a secret government communication centre,) so that should be better this year.
Oh and one more thing - Hypnotism is expressly forbidden by the terms of the Festival‘s contract with the college. You have been warned.
* Speaking of which, it‘s also one of the few places in the country where there shouldn’t be a queue for the ladies - there are only 2 gents on the whole site!
**That’s I.T. obviously, not the eponymous Big Bad from the 19?? Steven King novel ‘It’.
***Feels strange to say ‘we’ - it’s not like I’ve had that much to do with setting up the festival so far!
Saturday, 1 August 2009
Writing Full Time In Your Spare Time - pt 3
Last time I ended with a question: How? How do you find the motivation to write when you‘re working full time?
It’s taken me a while to get back to that one, because frankly I have absolutely no idea.
This week, I did 4 hours writing Sunday and 3½ hours Monday. Sounds admirably consistent, except for 2 things: 1)I was day off Sunday, and worked all day Monday; 2) I actually did 3½ hours writing Monday, as opposed to 4 hours staring at the laptop and occasionally sighing.
I wish the fired-up motivated Monday me could tell the shiftless, struggling Sunday me how he does it. The truth is, some days you’re in the mood, and it all flows, and some days you‘re not and it doesn‘t.
But I do write when I don’t want to, and that counts for a lot - if you only write when you‘re in the mood then you have a hobby. It’s all very well saying you shouldn’t force you muse (man,) but you have to put the hours in. Ok, there are times when you need a break, when you need to get away from it. But I always try to err on the side of carrying on, however hard it is.
The key word here is professionalism. In the day job, I sometimes feel tired, de-motivated, frustrated, bored. Sometimes, you’ll be stunned to hear, I don’t want to be there. If you have job that doesn’t at least sometime makes you feel this way, then you are very, very lucky. Please e-mail me your address so I can kill you, ear your skin to your job and take over your life.
The point is, I never, ever say “fuck it, I can‘t be bothered with this,” and go home and watch a DVD instead. I’d have to check the company’s disciplinary procedures, but I’d probably be sacked if I did. But when I’m writing, I do sometime say “fuck it, etc…” Why? Because when I‘m writing I’m my own boss and frankly I’m a bit of a soft touch.
So that brings us back to the original question - How do you find the motivation to write?
You just have to decide to do it. Then do it. It’s as simple and as hard as that. Apply bum to seat. Write. The more you do it, the more natural it becomes.
Some people are more naturally driven. Anyone who’s ever met Adrian Mead wouldn’t be surprised that he managed to write while doing two jobs 6 days a week - the man’s a positive mountain of energy! But the idea that some people can do it, and more specifically, the idea that you’re not one of them, is dangerous. If you think you don’t have the motivation, then you won’t - it becomes a self fulfilling prophecy.
A wise man once said, “Do, or do not. There is no try*” Now objectively, this is not true. You can of course, try and fail. But subjectively if you believe that you will succeed, then you’re more likely to.
I’ve had a bit of competition success lately, and I’ve also started writing more - I’ve got back to doing 20 hours a week consistently. These facts are probably not unrelated. But of course I had to find the motivation to write the script that did well in the first place.
Which brings us back to sitting down to write - once you get into the habit of writing, you get better at it. Then you get some good feedback, it motivates you, and you build up a bit of momentum. The more you practise, the luckier you get.
So you have to find that initial motivation from somewhere - passion, ambition, revenge, competition. Believe that you have the choice. Believe that it is in your power. And if you don’t believe it, do it anyway!
* alright, a wise muppet.
Friday, 24 July 2009
...but no cigar.
Congratulations to the finalists!